Music has always been
an expression of a person's inner most feelings. Song lyrics depict a certain
story that the artist wants you to hear, and the music conveys the tone of the
emotions the artist is feeling. In the 1980’s, in response to political actions
and the want to be heard, rebellion music was the response. In this time,
violence was present all over every part of the world. In the political realm
certain events were taking place such as, the start of the Persian Gulf War,
the Berlin Wall falling, and the end of the Soviet-Afghan War. In the early
1980's president Ronald Reagan was elected, and this election resulted in a
tremendous military increase. Most rock artist did not appreciate the military
increase because they were more wild and unruly. It was in these moments that rock artists
found the opportunity to express their opinions because the thought of a
military increase brought feelings of confinement. Below is a video of rock
artist, Bruce Springsteen, singing "Born In The USA". Springsteen
debuted "Born In The USA" in 1984.
“Born In The USA” was written to display
Springsteen's anger towards the United States because since the United States did not win
Vietnam the veterans of Vietnam were ignored when they returned home, and in turn
veterans of other wars were treated as heroes when they returned home. Although
Springsteen's thoughts were clear when writing "Born In The USA", somehow his fans saw his song in a different light; “. . . ‘Born in the
USA,’ ironically, became the nation’s adopted patriotic anthem . . .” (Raha
108).
To
the left is the video of "Rock The Casbah" by The Clash. One of The
Clash's singles, “Rock The Casbah”, on the album was about an Islamic ruler
dictating a ban on rock music. Anyone who was in violation of this ban would be
bombed. Hysterically enough, the pilots who were to bomb the violators ignored
the orders and played rock music in their cockpits too. The 1980's was just the
start of an aggressive sense of music; it would soon be followed by even more
hostility and violence in the years to come.
Works Cited
Raha, Maria.
Cinderella’s Big Score. California: Seal, 2005. Print.
Reynolds, Simon and Joy
Press. The Sex Revolts: Gender, Rebellion, and Rock ‘n’
roll.
London: Serpent’s Tail, 1995. Print.
Urick, Brett. “An
Introduction to The Wall.” Pink Floyd The Wall: A Complete
Analysis.
2006. 1 April 2008. http://www.thewallanalysis.com/.html
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